Jimmy Smith ruled the Hammond organ in the '50s and '60s. He revolutionized the instrument, showing it could be creatively used in a jazz context and popularized in the process. His Blue Note sessions from 1956 to 1963 were extremely influential and many, like 1960's Back at the Chicken Shack and 1958 's The Sermon, are classics. Smith turned the organ into almost an ensemble itself. He provided walking bass lines with his feet, left hand chordal accompaniment, solo lines in the right, and a booming, funky presence that punctuated every  song, particularly the up-tempo cuts. Smith turned the fusion of R&B, blues, and gospel influences with bebop references and devices into a jubilant, attractive sound that many  others immediately absorbed before following in his footsteps.

Smith initially learned piano both from his parents and on his own. He attended the Hamilton School of Music in 1948, and Ornstein School of Music in 1949 and 1950 in Philadelphia. Smith began playing the Hammond in 1951, and soon earned a great reputation that followed him to New York, where he debuted at the Café Bohemia. A Birdland date and 1957 Newport Jazz Festival appearance launched Smith's career. His Blue Note recordings included both trio recordings and superb collaborations with Kenny Burrell, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Ike Quebec, and Stanley Turrentine, among others.

Smith scored more hit albums on Verve from 1963 to 1972, many of them featuring big bands and using fine arrangements from Oliver Nelson. These included the excellent Walk on the Wild Side and Jimmy & Wes: The Dynamic Duo, a collaboration with guitarist Wes Montgomery. His '70s output was quite spotty, though Smith didn't stop touring, visiting Israel and Europe in 1974 and 1975. He and his wife opened a club in Los Angeles in the mid-'70s. Smith resumed touring in the early '80s and continued wowing audiences around the world. He re-signed with Blue Note in 1985, and has done more representative dates for them and Milestone in the '90s. After a five-year layoff, Smith returned in early 2001 with the blues projects Fourmost Return and Dot Com Blues. He remained a fixture in both small jazz clubs and large festivals until his untimely passing in February of 2005.

Jimmy Smith was born in Norristown, Pennsylvania in 1925. Both of his parents were pianists, and his father became his primary teacher, although he admitted to Leonard Feather that Bud Powell in neighboring Willow Grove also had an impact.

A prodigy who won a Major Bowes contest in 1935, Smith quickly gained experience working throughout western Pennsylvania, performing on the radio in Philadelphia, and teaming with his dad for nightclub work. After serving with the Navy in the Pacific toward the end of World War II, he returned to Philadelphia and began formal musical training, studying harmony and theory at the Halsey Music School (Clifford Brown was a classmate), string bass at Hamilton School of Music, and piano at Ornstein through 1950.

Source: Ron Wynn and Bob Porter